Stoked! Exhibitions and Workshops

canadianclaysymposium.com

Canadian Clay Symposium

March 25th, 2023

PRESENTERS: Steven Heinemann · Marissa Alexander · Cathi Jefferson · Martina Lantin · Sami Tsang · Julie Moon · KC Adams

The Symposium brings extended ceramic-based benefits for registrants and interested others.

STOKED! invites a wide variety of venues to co-ordinate large and small ceramic focused exhibitions around the Lower Mainland. There are also Workshop opportunities with some of the STOKED! presenters.

Exhibitions to Visit:

(Check full information for each exhibition at canadianclaysymposium.com/exhibitions)

The ACT Arts Centre, Maple Ridge

o   “Transformation” Fraser Valley Potters Guild juried show.  March 4 to April 29

Port Moody Arts Centre, Port Moody

o   “In Flux” A juried exhibition of new works by Tri-City Potters.  Feb. 23 to March 28

Crafthouse, Granville Island, Vancouver

o   “Here We Have No Lasting City” Works by Susan Johnston. March 3 to April 1

Place des Arts, Coquitlam

o  “Vin Arora: Meltdown: The Second Wave” March 10 to May 4. On-line March 17 to May 4

With Reception on March 31

Mobile Contemporary Ceramics Gallery: FORM, Shadbolt Centre, Burnaby

o   A renovated vintage Airstream Trailer turned Gallery space. Exhibition and sale of works by  Robin DuPont, Martin Tagseth, Katy Drijber, Dawn Candy, and Martina Lantin.

o   9am to 5pm March 25 only

Potter’s Guild of BC at Shadbolt Centre, Burnaby

o   “Sur La Table” 2023 Members’ Pop-Up Plate Exhibition. March 25 only

Deer Lake Gallery, Burnaby (Steps from Shadbolt Centre)

o  “Offbeat: Explorations in Clay Exhibition” March 25 to April 23

o   Artists: Genevieve Dionne, Robin DuPont, Heather Dahl, Linda Sormin, Cathy Terepocki, Hannah Watkins, Nathalie Paolinelli and Amelia Butcher

o Opening reception will immediately follow the Symposium, 5:30 to 7:30 pm March 25

 Kate Metten Ceramics, Vancouver

o   “Mitra Mahmoodie: Dancing in the Desert” March 23 to April 9

O-Five Rare Tea Bar, Vancouver

o   “Wood Fired Pottery Exhibition” March 18 to April 23

Kwantlen Polytechnique University Spruce Building Atrium, Surrey

o   “Past, Present and Future” Exhibition by Fraser Valley Potters’ Guild and alumni of Douglas & Kwantlen Ceramics programs. March 18 to June 19

Satellite Workshop Opportunities

(Full information for each exhibition can be found at canadianclaysymposium.com/exhibitions)

“Soda Firing: Brush and Fire – a Delicate Dance” with Cathi Jefferson (SOLD OUT)

o   March 21 to 27 (various times) Shadbolt Centre, Steam Plant

o   The Public is invited to the Kiln opening, Monday March 27, 10am Steam Plant

“Pots in Process” with Martina Lantin

o   Sponsored by Delta Potters Guild Studio, South Delta Recreation Centre, Tsawwassen

o   Martina will focus on wheel throwing to alter wet pots and will layer designs in slip using monoprint and paper-resist.

o   A one-day demonstration workshop Friday, March 24, 9am to 4pm.

o   Registration information at canadianclaysymposium.com/events

Important Details

o   Bring your lunch with you. Coffee service is provided but no food service is available.

o   Full information can be found at canadianclaysymposium.com Check back for updates.

o   Attend in-person or, for the first time, online. 

o   9 registrations are available at this point.

o   Pricing and registration information for both in-person or online attendance can be found at

 canadianclaysymposium.com/registration

Newsletter#8 Stoked: Exhibitions & Workshops.pdf (click to download the article)

STOKED! Events & Opportunities

canadianclaysymposium.com

Canadian Clay Symposium

March 25th, 2023

PRESENTERS:

Steven Heinemann · Marissa Alexander · Cathi Jefferson · Martina Lantin · Sami Tsang · Julie Moon · KC Adams

The Mobile Contemporary Ceramics Gallery: FORM

There is still time to register for “STOKED!” Treat yourself to a full day of clay! Bring a friend!

We are proud of the all-Canadian presenters line-up at STOKED! 

There are many added features that enhance the Symposium experience. This list outlines some of those features. Full information can be found under the Events Tab on the Symposium website canadianclaysymposium.com .

· Shadbolt will be awash in things to see during the Symposium

o   The Mug Wall: Help the North-West Ceramics Foundation raise funds for the Maureen Wright Scholarship Fund. Donate a handmade mug or two for The Mug Wall. These treasures can be purchased for $20 each (cash or cheque). Room 201.

o   The Ceramic Roadshow Bring along a ceramic piece to share for the day. Your own, your favourite, the funkiest - whatever! Visit the show during lunch to see a critique of a selection of pieces. (entry form on website) Room 201

o   K-12 Ceramic Exhibition. The K-12 Exhibition showcases the diversity & excellence of BC student work in clay. Room 102

o   Presenters’ Exhibition, works by our esteemed all Canadian round-up.

o   BC Potters’ Guild Sur la Table Plate Exhibition (entry form on website). Room 200

o   Honoree Display, works by Santo Mignosa and Alan Burgess. Studio 101

o   Molly’s Plinths, works by late Symposium committee member Molly Magid. Room 201

· Trade Show. Visit vendors' booths in the atrium to check out or purchase the latest ceramics tools, publications, and supplies. (Atrium Hall)

· Live Podcast. Watch a live Podcast being created for “The Kiln Sitters”, moderated by Vancouver’s  Brendan Lee Satish Tang, collaborating with our Keynote Speaker, KC Adams. Room 211

· The Mobile Contemporary Ceramics Gallery: FORM will be on-site for its second Symposium. Created by Robin DuPont, Slocan Valley, this wheeled gallery space will be parked out front during STOKED! Robin will have the gallery stocked with fresh ceramic works by a curated selection of contemporary artists. Visit to see new work and to make a purchase if you like!

Important Details

• Bring your lunch with you. Coffee service is provided but no food service is available.

• Full information can be found at canadianclaysymposium.com Check back for updates.

• Attend in-person or, for the first time, online. 

• Pricing and registration information for both in-person or online attendance can be found at canadianclaysymposium.com/registration.

Newsletter#7 Stoked: Events & Opportunities.pdf (click to download the article)

STOKED! presenters Steven Heinemann and Martina Lantin:

STOKED! Attendance will provide many opportunities for a glimpse beneath the surface of the thinking, creative processes, techniques and ceramic works of our presenters

 Today we highlight two more of our STOKED! presenters:

Steven Heinemann lives and works in Ontario. Since completing his MFA (Alfred University, 1983) he has taught widely at the post secondary level in Canada and the US. In addition, numerous residencies have taken him from Canada and the US, to Holland, Hungary, and Korea.

Widely exhibited, Steven’s work is in numerous private and public collections. He has been the recipient of many awards including the Saidye Bronfman Award (1996), Canada’s highest recognition of achievement in contemporary craft.

In 2017 Steven had a major retrospective exhibition at The Gardiner Museum in Toronto.

“Heinemann’s process can stretch over months or even years, firing a piece multiple times, and reworking the surface by sandblasting, scratching, polishing, and stenciling to evoke glyph-like imagery.” Gardiner Museum.

More information and images of work are found at canadianclaysymposium.com click “Presenters”

·      Visit Steven’s website: stevenheinemann.com

·      Read about the Canada’s National Ceramics Museum at the Gardiner, listen to a talk about Steven’s piece. https://www.youtube.com/watch?v=w9Nf5n6UBjc

Martina Lantin received her Master of Fine Art from NSCAD University. Martina’s work has been included in numerous exhibitions internationally. Recent participation includes the “Borderline” the Alberta Biennial 2020 and “The Pots and Passion of Walter Ostrom” at the Art Gallery of Nova Scotia.

Martina mines the history of ornament and pattern to explore the transformation and boundaries of functional ceramics through vessels and installations. Recently, her exploration of adaptation and change engages emergent technologies as a method of production.

“My practice engages the archive of ceramic artifacts to reflect the mutation and adaptation of motifs and technologies… my work explores the role of ornament; it’s relationship to the vessel and the human impulse for continuous innovation. In an age of fast information and mobile workforce the re-contextualization of ceramic technologies and tessellated patterns are an extension of the ceramic archive and reflect my own migratory record.

Martina is currently an Associate Professor at the Alberta University of the Arts.

For more information & images of work:

canadianclaysymposium.com click “Presenters”.

·         Visit Martina’s website: mlceramics.com

·         Visit Martina’s informative Instagram:            

             instagram.com/lantinceramics

 ·         The Details:

·       Please bring your lunch with you. Coffee service is provided.

·       Attend in-person or, for the first time, online. 

• In-person allows the most flexibility in planning your day with access to all presenters, demos, exhibits, the Trade Show, Mug Wall, Keynote and so on.

• Online offers access without travel, demos by 4 of the 6 presenters as well as the Honoree and Keynote presentations.

·       Registration is open. Pricing and registration information can be found at canadianclaysymposium.com/registration.

 Newsletter#6 Stoked Presenters.pdf (click to download the article)

STOKED! Events and Opportunities

canadianclaysymposium.com

Canadian Clay Symposium

March 25th, 2023

PRESENTERS:

Steven Heinemann, Marissa Alexander, Cathi Jefferson, Martina Lantin, Sami Tsang, KC Adams and Julie Moon

Registration for “STOKED!” would be a memorable gift for yourself or an interested loved one!

When the 2020 Symposium was put on hold due to Covid, the organizing committee began re-imagining the 2023 event. We think you will like the changes and the all-Canadian line-up at STOKED! 

  FORM: The Mobile Contemporary Gallery

Today we highlight additional details that make the Symposium such an immersive clay event.

·      The Mug Wall: Donate a handmade mug or two to the Mug Wall at the Symposium. Drop off your cup or mug to the designated room when you arrive. These unique, BC-made mugs are available for only $20 each (cash or cheque). This fundraiser is sponsored by the North-West Ceramics Foundation in support of the Maureen Wright Scholarship Fund assisting BC Potters.

·      The Ceramic Roadshow is a Symposium tradition. Bring along a ceramic piece to share. Your own, your favourite, oldest, newest, funkiest - whatever! We create an amazing show that features these gems. Visit during lunch to watch a critique of a selection of pieces.

·      K-12 Ceramic Exhibition. The K-12 Exhibition showcases the diversity and excellence of BC student work in clay with a digital show as well as some actual student work displayed in the Atrium area.

·      Exhibitions at STOKED! You won’t want to miss a thing at Shadbolt! Look for a Presenters’ Exhibition, a BC Potters’ Guild Sur la Table Plate Exhibition (entry form on website) and an Honoree Exhibit.

·      Trade Show. Visit vendors' booths in the atrium to check out and purchase the latest ceramics tools, publications, and supplies. Learn about studio / educational programs and artist in residencies!  Rent a table at the symposium trade show by contacting tradeshow.canadianclay@gmail.com

·      Live Podcast. Watch a live Podcast being created for “The Kiln Sitters”, moderated by Vancouver’s own Brendan Lee Satish Tang.

·      FORM: The Mobile Contemporary Gallery will be on-site for its second Symposium. Created by Robin DuPont, Slocan Valley, and echoing The Artstream Nomadic Gallery from Colorado, the converted AirStream trailer gallery space will be parked out front at STOKED! Robin will have the gallery stocked with ceramic works by a selection of contemporary artists. Visit to see some fresh new work and make a purchase if you like!

·      Pre and Post Events. Several Lower Mainland art galleries are working to mount a ceramics-based exhibitions around Symposium date. Information will be added to the Symposium website as it becomes available. There will also be some other ceramics workshops or demos (possibly at Shadbolt and the South Delta Potters’ Guild) with some Symposium presenters. Check the website for updates.

·      BC Ceramic Mark Registry (BCCMR) - A table will near the Mug Wall to collect digital images of your ceramic mark along with your short biography. Please bring these files on a memory stick. Register your mark online: https://goo.gl/forms/cuL6iqV7Nl3D8OgI2 

The Details

• Please bring your lunch with you. Coffee service is provided.

• Full information can be found at canadianclaysymposium.com Check back for updates.

• Attend in-person or, for the first time, online. 

• In-person allows the most flexibility in planning your day with access to all presenters, demos, exhibits, the Trade Show, Mug Wall, Keynote and so on.

• Online offers access without travel, demos by 4 of the 6 presenters as well as the Honoree and Keynote presentations.

·       Registration is open now. Pricing and registration information can be found at canadianclaysymposium.com/registration. EARLY BIRD PRICING is still available for the first 30 On-Line registrants. Early Bird pricing is sold-out for in-person registrants. Regular registration is available.

Newsletter#4 Stoked Events and Opportunities.pdf (click to download this article)

STOKED! presenters Sami Tsang and Julie Moon

canadianclaysymposium.com

Canadian Clay Symposium

March 25th, 2023

PRESENTERS: Steven Heinemann, Marissa Alexander, Cathi Jefferson, Sami Tsang, KC Adams and Julie Moon

STOKED! registration as a gift idea for yourself or an interested loved one? What a great idea!

When the 2020 Symposium was put on hold due to Covid, the organizing committee began re-imagining the 2023 event.  We think you will like the changes and the all-Canadian line-up at STOKED! Today we highlight two more of our STOKED! presenters:

STOKED! presenters Sami Tsang and Julie Moon:

sami tsang

Born in Canada and raised in Hong Kong, Toronto based Canadian ceramic artist Sami Tsang’s work explores domestic encounters and narratives born of the push and pull of growing up between two cultures - Chinese and Western. Having studied Chinese painting for 7 years in Hong Kong, Sami moved back to Canada at age 12. Being the youngest child of a conservative Hong Kong family, Sami’s voice was not welcomed and she withdrew. Eventually, narratives and stories created themes for Sami to explore. Facing these emotional experiences head on, Sami uses humor and grotesque cartoonish characters to visually process and move through uncomfortable situations.

Sami earned her BA in Craft and Design from Sheridan College and an MFA in Ceramics from Alfred University in New York. More information and images of work are found at canadianclaysymposium.com click “Presenters”

· Visit Sami’s website: samitsangceramics.com/

· Read an insightful CBC Interview with Sami: cbc.ca/arts/sami-tsang-q-a-art-toronto-1.6627494

julie moon

Julie Moon is a Toronto based ceramic artist whose practice is deeply connected to the process of making, allowing Julie to explore and consider the work while in progress, allowing ideas to shift and deepen as the work progresses. Julie sees her raw clay constructs as canvases for decoration and surface design. Julie’s work is varied, ranging from figurative and abstract sculpture to functional pottery and accessories.

Julie earned her BFA degree from OCADU in Toronto, and her MFA from the New York State College of Ceramics at Alfred University. Julie has participated in a number of residencies since graduating including The Ceramic Art Center (Berlin), Anderson Ranch, Archie Bray Foundation, and The Clay Studio (Philadelphia). More information and images of work are found at canadianclaysymposium.com click “Presenters”.

· Visit Julie’s website: juliemoon.com/

· Join the Gardiner Museum curator as he visits Julie in her studio: youtube.com/watch?v=utkCzfrQs0I

 The Details

• Please bring your lunch with you. Coffee service is provided.

• Attend in-person or, for the first time, online. 

• In-person allows the most flexibility in planning your day with access to all presenters, demos, exhibits, the Trade Show, Mug Wall, Keynote and so on.

• Online offers access without travel, demos by 4 of the 6 presenters as well as the Honoree and Keynote presentations.

· Registration is open now. Pricing and registration information can be found at canadianclaysymposium.com/registration. EARLY BIRD PRICING is sold out for in-person attendance but is still available for the first 30 On-Line registrants.

Newsletter #3 Stoked Presenters.pdf (click to download this article)

STOKED! Presenters Cathi Jefferson and Marissa Y. Alexander

canadianclaysymposium.com

Canadian Clay Symposium

March 25th, 2023

PRESENTERS: Steven Heinemann, Marissa Alexander, Cathi Jefferson, Sami Tsang, Julie Moon and KC Adams

When the fully planned 2020 Symposium was put on hold due to Covid, the organizing committee began re-imagining the 2023 event.  We think you will like the changes and the all-Canadian line-up at STOKED! In each of the next three posts leading up to STOKED!, we will highlight two of our presenters:

STOKED! presenters Cathi Jefferson and Marissa Y. Alexander:

Cathi Jefferson

Cathi Jefferson produces unique salt-fired functional stoneware and sculptural forms. Cathi began honing her impeccable skill-set in Kwantlen and Fraser Valley College fine arts courses, as well as seeking learning opportunities through mentorships and a number of Canadian, US and international residencies. Cathi works in her studio and gallery near Duncan, BC, surrounded by the west coast rainforest that provides ongoing inspiration for her distinctive work and the surface designs and imagery she creates.

· Visit Cathi’s website: cathijefferson.com

· Watch Cathi hand building a vase: https://youtu.be/mO-9p9PmcoA 

Marissa Y. Alexander

Marissa Y. Alexander, artist, lives, works and teaches in Halifax, NS. Marissa works with clay to make both functional and sculptural ceramic objects, exploring form through coil building with a focus on establishing alluring surfaces and creating both pattern and narrative to visually describe her visions. Marissa received her MFA in Ceramic Art from Alfred University (2019) and was previously a full-time Artist-In-Residence at Harbourfront Centre. She has a BA in Sociology from McMaster University and an Advanced Diploma in Craft and Design (Ceramics) from Sheridan College. Marissa has recently been appointed Assistant Professor of Ceramics at the Nova Scotia College of Art and Design (NSCAD).

· Visit Marissa’s website:  http://www.marissaya.com/

· Marissa Demos her hand building processes (at The Gardiner):  https://youtu.be/xzd12p5Q9q8

Presenter bios and images of work are found at canadianclaysymposium.com click “Presenters” tab.

• The Details

• Please bring your lunch with you. Coffee service is provided.

• Attend in-person or, for the first time, online. 

• In-person gives you the most flexibility in planning your day with access to all presenters, demos, exhibits, Trade Show, Mug Wall, Keynote and so on.

• Online offers access without travel, demos by 4 of the 6 presenters as well as the Honoree and Keynote presentations.

Registration is open now. EARLY BIRD PRICING is available to the first 140 in-person and first 30 On-Line registrants. In-person Early Bird tickets are almost sold out. Full pricing and registration information at canadianclaysymposium.com/registration

Newsletter #2: Stoked Presenters.pdf (click to download this article)

STOKED!

Canadian Clay Symposium

March 25th, 2023

When the fully planned 2020 “Canadian Clay” themed Symposium was put on hold due to Covid restrictions, the organizing committee began working to re-imagine the 2023 event, “STOKED!” We looked at virtually all aspects of the Symposium from the selection of presenters considering diversity and inclusion, through to scheduling times and even attendance options.

Our decisions have created some noticeable and, in our view, valuable and timely changes at STOKED! You will notice:

● Presenters:
o STOKED! keeps the Canadian Clay theme by selecting all Canadian presenters to reflect our cultural and artistic diversity. A full listing of STOKED! Presenters, their bios and images of their work is found on the website: canadianclaysymposium.com under the “Presenters” tab.

o We are excited to include two dynamic Canadian Emerging Artist Presenters at STOKED! These recent graduate artists bring fresh perspectives and are names to watch. You get to see them first!

● Watching demos:
o Three large presentation areas will house the artists’ demos, the James Cowan Theatre, the Studio Theatre and the conference room - (Studio 103).
o There are three demo sessions in the day but not all of the same duration. Some artists may plan to show a different process each session, while others will tie session times together to tackle a larger project through the day.
o Presenters will work their demos in pairs, sharing the time and space. You can easily learn from both to gain more information from your sessions.

● A new option for attendance:
o In-Person: As always, attendees can enjoy the opportunity to be there live, to plan the day and then change plans if something catches their eye, attend presentations with the ability to ask questions of presenters, visit with old friends or make new connections. Attendees may wander through Shadbolt and enjoy displays and exhibits as well as the regular attractions and exhibitions: The Road Show, the Mug Wall, a BC Potters’ Guild Show, a K-12 Show, A Presenters’ Show, an Honoree Exhibit, the Mobile Contemporary Ceramics Gallery, watch a live Podcast for “The Kiln Sitters”, and browse the Trade Show.

o NEW! Online Option: STOKED! now includes a new experience option for our first online Symposium. Parts of STOKED! will be livestreamed allowing participants to watch presentations from home in real time. The livestream includes four of the six presenters: Cathi Jefferson and Marissa Alexander will be live-streamed for their full morning session and Steven Heinemann and Sami Tsang will be live-streamed for their afternoon sessions. Questions may be asked through a comments section and a moderator will convey the questions to the presenters to answer live. Online viewers will also see the Honoree presentation as well as the Keynote Address by KC Adams.

● A new focus for the Keynote Address:
o The Symposium Keynote Address has in the past been delivered by one of the artist presenters. For STOKED! we chose to look at the Keynote conceptually, celebrating the diversity Canada offers and to consider both clay and art as vehicles of change.

o KC Adams is a Winnipeg-based Anishinaabe, Inninew and British artist whose work explores Indigenous axiology. She is a creator, an educator, an activist, a community member and mentor. We are proud to host her as the STOKED! Keynote Presenter.

● The Details
o Coffee service is provided, but no food service. Please bring your own lunch. o Registration is open now and the Early Bird tickets are selling fast.
o EARLY BIRD PRICING is available to the first 140 in-person and first 30 On-Line registrants. In-person and online pricing for both Early Bird and Regular attendance is found on the website along with full registration information: canadianclaysymposium.com/registration

o Satellite Workshops with some of our presenters will take place before or after the Symposium at Shadbolt or through local Potters’ Guilds. These opportunities will be listed on the website: canadianclaysymposium.com/events

Newsletter #1: Stoked Intro.pdf (click to download this article)

R:evolution Symposium Review

 The Canadian Clay Symposium this past March at the Shadbolt Centre in Burnaby drew enthusiasts from across BC, Washington State and further afield, all attracted to the potent mix of highly skilled artists, topical discussions, and social connections that have characterized previous events. Registrants were able to pick and choose from a plethora of dynamic presentations, as well as browse through a trade show marketplace and view several on-site exhibitions, including the Mug Wall, Road Show, Presenters’ exhibit, Makers/Collectors display, a K-12 digital show, and the Mobile Airstream Gallery show “Form”. The Maker Labs organization had a display highlighting the potential of using 3-D printing and CNC technology in ceramics.

Several of the guest artists were paired up giving simultaneous demonstrations. Katrina Chaytor and Samantha Dickie shared information on the creation and use of plaster molds, both traditional and paper plaster techniques. Sunshine Cobb and James Watkins shared personal anecdotes while working on typical signature pieces, Sunshine cutting and piercing a basket, James throwing a variety of forms. Watching Ruthann Tudball and Simon Levin’s simultaneous demo was like observing a tennis match; the audience turned their heads back and forth during this pottery match, cheering and in awe of their techniques. Simon worked slowly, while Ruthanne moved quickly and you had to force yourself not to blink or you would miss her moves!

Vancouver sculptor Brendan Tang moderated the “Cyber Craft” panel, which included Katrina Chaytor, Sunshine Cobb, Aaron Nelson and Steven Young Lee. As the digital world collides with the ancient material world of clay, Brendan framed the conversation around words like ‘hardware’ and ‘software’ to give each of the presenters an opportunity to discuss how their own analogue practice with clay has intersected with the digital world. Topics covered in this panel ranged from Kickstarter campaigns, 3D printing technology, and fuel efficiency afforded by computerized gas kilns, to mining the decorative language of computer iconography and the opportunities artists have to soften the clinical and often very digitized world of medical treatment with the intervention of handmade objects.

Even with the theme of technology meets tradition, there remains a palpable hunger for knowledge of process and skill development. The Symposium reflected the current shift in the practice of ceramics requiring clay artists to employ a variety of technologies beyond hand-building, wheel-throwing or traditional firing methods. Artists were invited to explore and embrace new ideas and approaches to making that are now possible through the use or integration of technologies. A sage observation from Ruthanne Tudball helped put the theme into context. Ruthanne pointed out muscle memory is controlled by the right side of the brain, while talking and communicating employs the left side. Using both sides simultaneously is a difficult skill to master - like synchronized use of both analogue and digital skills. For many makers in clay, the focus is on the analogue; getting our hands dirty, employing muscle memory and our right brain. The shift to the left brain, to digital technology and a multi-media approach is slower, less natural and yet necessary as we understand and incorporate new approaches to making and more tangible ways of communicating our intentions and love of this material to others.

The article was edited by Fredi Rahn with contributions from Amy Gogarty, Heather Dahl, Mike McElgunn, Sandra Ramos, and Markian Kyba.

R:evolution - Tradition - Technology

The 7th Triennial Canadian Clay Symposium

 Saturday, March 18th, 2017

Shadbolt Centre for the Arts, Burnaby, BC

The plans are in place and we are very excited about the R:evolution-tradition-technology symposium program and presenters. This year’s Canadian Clay Symposium explores possible applications of technology in our studio lives and practise, but whether or not technology is your “thing”, rest assured the wonderful line-up of presenters will offer practical insights into their creative processes and personal techniques along with their technological musings. 

There are many reasons to take part in this event! Such as…

 The Amazing Presenter line-up…

o   A successful symposium requires a line-up of dynamic, respected and successful ceramic artists from around North America and the world. This year’s stellar line-up is no exception. Choose to attend the demos, lectures, presentations and discussions that pique your interest and relate to your personal explorations and work. Our R:evolution presenters include Katrina Chaytor, Sunshine Cobb, Samantha Dickie, Steven Young Lee, Simon Levin, Aaron Nelson, Ruthanne Tudball, Jason Walker, James Watkins and gwendolyn yoppolo. (I told you!).

o   These presenters have each been profiled in one of the past five BCPG Newsletters. You can learn more about each of them on the Symposium website,

Our Special guests…

o   A popular attraction at each Symposium is a topical panel discussion involving four of the presenters discussing and sharing their experiences and points of view. This year’s discussion, “CyberCraft: Ceramic detours on the Information Superhighway” will be organized and moderated by local ceramic dynamo, Brendan Tang. www.brendantang.com/

o   Introducing our Keynote Address speaker, as well as our special Honorees presentation will be the respected head of the curatorial department at the UBC Museum of Anthropology, Carol Mayer www.anth.ubc.ca/faculty/carol-mayer/

o   Each Symposium recognizes and honours the cumulative works and contributions of local ceramic artists. You may remember Bob Kingsmill being honoured at the last Symposium. There were several deserving names put forward for recognition this year. The contributions of these artists are vast and valued. This year will be honouring David Lloyd, Sally Michener, Sam Kwan, Don Hutchinson, and Tam Irving at our gathering for the closing Keynote Address.

 Bonus Symposium Events…

o   There is so much more to see and do at the Symposium, all included with your registration

o   Visit the Trade Show where you can talk to vendors, check out or purchase the very latest tools, publications and supplies or find out about educational programs and residencies.

o   Bring a piece to share at the Ceramic Roadshow… something you would like others to see. It can be your work, or an example of your favourite/newest/funkiest/whatever you want to share. Aaron Nelson will be critiquing the show during the lunch break. Do drop in! Full information and registration forms can be found under the “Events” tab at www.canadianclaysymposium.com

o   Bring a mug, cup or tea bowl to donate to the Mug Wall as well as $20 to purchase your favourite. This fundraiser is sponsored by the North-West Ceramics Foundation with proceeds going to the Maureen Wright Scholarship Fund as well as toward sponsoring the Symposium Keynote Speaker.

o   Bring a CD of your personal mark or chop for the BC Ceramic Mark Registry. Submissions can also be made via email. The BC Ceramic Mark Registry form can be downloaded from the “events” page of the website www.canadianclaysymposium.com

o   Watch the K-12 Digital Exhibition showcasing ceramic work created in our schools and community programs. Teachers/instructors can get more information about entering their students’ work from Ariel Boulet arielboulet@gmail.com

o   Venture to the Shadbolt parking lot & visit the Mobile Contemporary Ceramics Gallery: FORM, a renovated 1959 Flying Cloud Airstream Trailer showcasing and selling works by Martina Lantin, Katy Drijber, Carole Epp, Sarah Pike, Martin Tagseth, Christopher Watt and Robin Dupont. Wow!!

o   Stay after the Keynote address and join the BC Potters’ Guild at their dinner event at the Shadbolt Centre. Full information about the dinner and tickets will be announced by the Guild.

Related Community Events…

o   Adding significantly to the Symposium experience, community galleries and art centers take this opportunity to showcase ceramic works and artists.

o   Shadbolt Centre is running satellite workshops with James Watkins, Simon Levin and Ruthanne Tudball (currently sold out)

o   The Maple Ridge Art Gallery is sponsoring a 2-hour demonstration with Jason Walker from 2:30 to 4:30 on March 16th. Tickets are available for only $5 on-line at www.theactmapleridge.org

o   The Semiahmoo Arts Centre is sponsoring at full day throwing demo with James Watkins on March 17th from 9:00 until 4:00. The cost is $50. For information contact Bobbie Hammersley at bobbiehammersley@semiahmooarts.com

o    The Delta Potters’ Association is sponsoring a full day demo workshop with Sunshine Cobb, 9:00- 4:00 on March 17. The cost is $80 for non-members. For more information contact Molly Magid at mmagid@shaw.ca

o   The Surrey Art Gallery is sponsoring a free Artist’s Tour of their exhibition “Don Hutchinson: From Form to Fantasy” with “Surrey Civic Treasure” Don Hutchinson from 2-3:30pm on Sunday March 19th.

o   The Burnaby Art Gallery is sponsoring an illustrated artist talk, “Saggar Firing with a Metal Container” with James Watkins at the Burnaby Art Gallery on Sunday, March 19 from 2:00 – 4:00 pm. Reception to follow.

o   The multitude of ceramic themed exhibitions on display around the symposium dates are impressive and certainly worthy of some extra time. Venues include: Gallery of BC Ceramics  www.galleryofbcceramics.com , Surrey Art Gallery www.surrey.ca/artgallery ,  Circle Craft www.circlecraft.net , Seymour Art Gallery (artist talk March 19 @ 2:00 pm) www.seymourartgallery.com , The Act Arts Centre, Maple Ridge www.theactmapleridge.org ,  The Amelia Douglas Art Gallery, Douglas College www.douglascollege.ca , Burnaby Arts Council www.burnabyartscouncil.org , Burnaby Art Gallery www.burnabyartgallery.ca , Port Moody Arts Centrewww.pomoarts.ca , Place des Arts www.placedesarts.ca , and Semiahmoo Arts at South Surrey Arts Centre www.semiahmooarts.com .

o   Gallery exhibits and information regarding workshops with Symposium presenters are also posted on the website. www.canadianclaysymposium.com

The Small Print…

• All participants must be pre-registered. There will be no on-site registration at the Symposium.

• Registration is $150 for Adults or $131.25 for Seniors (plus GST).

• The Senior & Post-Secondary Student Discount is only available through phone, in-person and mail-in registration, on-line registration includes only the pricing option for regular Adult registration.

• All Fees include lunch.

• Register by mail (cheque payable to the City of Burnaby) or by phone. Call 604-291-6864 to set up a new account.

• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

You KNOW it will be an exciting and informative day and you really want to be there…

So why are you not registered yet? Updates at: www.canadianclaysymposium.com

Newsletter #6: Symposium Updates.pdf (click to download this article)

Click photo below to see some photos of 2013 Symposium.

R:evolution – tradition – technology

The 7th Triennial Canadian Clay Symposium

Saturday, March 18th, 2017 - Shadbolt Centre for the Arts, Burnaby, BC

REGISTER BEFORE JANUARY 15th!

Since you’ve been following this newsletter, you will be well aware of the upcoming Canadian Clay Symposium exploring possible applications of technology in our studio lives and practise. Whether or not technology is your “thing”, rest assured the wonderful line-up of presenters will offer practical insights into their creative processes and personal techniques along with their technological musings.

• You KNOW it will be an exciting and informative day.

• You KNOW you really want to be there.

• You KNOW you can save money by registering before the EARLY BIRD DEADLINE of January 15th.

• You KNOW registration would be a perfect Christmas gift….

• So register today... Or drop an appropriate and specific hint to your significant other.

R:evolution – tradition – technology, is a one day symposium for ceramic arts students and professionals featuring ten nationally and internationally recognized ceramic artists. Presenters will discuss and demonstrate personal techniques and share insights into how and where they choose to employ the tools of technology. Presentations will encompass theoretical topics as well as practical techniques in areas such as sculpture, hand-building, wheel-throwing, finishes and firing.

Several other workshop opportunities are planned in conjunction with the Symposium, and many galleries will feature ceramic themed exhibitions to coincide with the Symposium. Gallery exhibits and information regarding workshops with Symposium presenters are being posted on the website as details are finalized. Check http://www.canadianclaysymposium.com

Simon Levin

Simon Levin is a potter, kiln builder and writer from Gresham Wisconsin, who has been wood firing for 25 years. After finishing graduate school at the University of Iowa in 1998 he and his wife Susan moved to rural Wisconsin to establish Mill Creek pottery.  Simon has built kilns for many universities in the US, Taiwan and China, as well as the Archie Bray Foundation.  He is a technical writer for Ceramics Monthly and Ceramics Arts Daily and a frequent presenter at The National Council for the Education of Ceramics Arts. Simon's work is featured in several books and collections, as well as a couple of museums.  In 2013 Simon was a senior Fulbright Scholar in Taiwan. Working from his rural log home on ten acres with three wood kilns, Simon’s life is filled with beauty and joy, but is anything but quiet and serene!

Simon muses, “Clearly if you want your art work to touch people and be touched the home is the place you want to be. I love being a potter, I love the amount of time one holds a coffee cup, touches it to their lips, cradles it in their hands, what an intimate and sensuous interaction with an object.”

• Learn more about Simon and see many examples of his work at http://simonlevin.com/

• See a short video of Simon talking about one series of his work at https://www.youtube.com/watch?v=6S1qGGVUxa8

Samantha Dickie

Samantha Dickie is a Victoria BC based contemporary ceramic artist who focuses on abstract sculpture and public installation. Samantha’s ceramic sculptures create visual narratives exploring the beauty and decay of natural and urban topographies through textural raw surfaces and simple organic forms.

Samantha began working with clay in 1996.  Following her BA Degree, Samantha completed a Diploma in Ceramics from the Kootenay School of the Arts and attended residencies at the Sculpture Factory in Jingdezhen China, the Banff Centre and Red Deer College in Alberta, and the Klondike Institute of Art and Culture in Dawson City, Yukon.  Samantha has been awarded project grants from Canada Council, BC Arts Council, Alberta Foundation for the Arts, and the Yukon Arts Fund and has also been the recipient of the Best in Ceramics and Glass Award at the Sooke Fine Art Show.  Samantha’s work has been exhibited in public galleries across Western Canada, and is currently represented by the Jonathon Bancroft Snell Gallery in London, Ontario, as well as the Madrona and the Apartment Galleries in Victoria, BC.

“My work preserves the raw, visceral and versatile qualities of clay through textural and abstract forms and surfaces that entice a sensory experience, while calling attention to the quiet or dynamic space inside and between forms.” -Samantha Dickie

• Learn more about Samantha and see many examples of her work at http://www.samanthadickie.com/

• See Samantha in her beautiful Victoria home and studio in an interview by Modern Home Magazine http://victoria.modernhomemag.ca/samantha-dickie/

Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com

• All participants must be pre-registered.

• Registration is now open. Early Bird Registration is $125 for Adults or $110 for Seniors and Post-Secondary Students (plus GST) until January 15th, after that date Registration will be $150 for Adults or $131.25 for Seniors (plus GST).

• The Senior & Student Discount is only available through phone, in-person and mail-in registration, on-line registration includes only the pricing option for regular Adult registration.

•  All Fees include lunch.

• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.

• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Newsletter#5: Simon Levin & Samantha Dickie.pdf (click to download this article)

R:evolution – tradition – technology

The 7th Triennial Canadian Clay Symposium

Saturday, March 18th, 2017 - Shadbolt Centre for the Arts, Burnaby, BC

REGISTER BEFORE JANUARY 15th!

Come on, you can admit it. We all have that personal love/hate relationship with technology. Our next Symposium explores technology as it affects us (or not) in our studio life and practise. Are you using technology as a tool for creating work? As a research or design medium? As a means of communication or connection with peers or clients? Or have you tried to keep your distance from new trends in technology as you focus on traditional means of making? This is your chance to explore and contrast the differences between traditional and technological approaches to working with clay while you delve into the techniques and work of several well known ceramic artists.

Come on, register today… you know you want to!

R:evolution – tradition – technology, is a ceramics symposium for ceramic arts students and professionals that brings together for one day ten nationally and internationally recognized artists. Presenters will discuss and demonstrate their personal techniques including personal insights into how and where they choose to employ the tools of technology. Presentations will encompass theoretical topics as well as practical techniques in areas such as sculpture, hand-building, wheel-throwing, finishes and firing.

Several other workshop opportunities are planned in conjunction with the Symposium, and many galleries will feature ceramic themed exhibitions to coincide with the Symposium. Check the website for listings of gallery exhibits and workshop opportunities with the Symposium presenters. http://www.canadianclaysymposium.com

Sunshine Cobb

Born in Vancouver, British Columbia, and growing up in southern California, Sunshine Cobb worked many jobs and took a great variety of college classes on her quest to find her bliss. While searching, Sunshine tried various careers- housekeeper, customer service agent, production assistant, massage therapist, child/elder caregiver- until she finally discovered ceramics. After a short stint at Chico State University, Sunshine went on to graduate with a BA in Studio Art from California State University at Sacramento in 2004 and her MFA in Ceramics from Utah State University.  

Ceramics has been the major influence in Sunshine’s life for 15 years now. She is currently focusing on functional ware, embracing the richness of earthenware and is exploring the challenges of electric firing. Sunshine finished a long term residency at the Archie Bray Foundation and was chosen as one of the 2013 NCECA Emerging Artists. She works from her own studio in Sacramento, California! 

“I rely on texture and color to create a sense of motion and time in my work. I hope to instill a sense of age, like one finds apparent in discarded objects, with the aim to infuse feelings of nostalgia and wanderlust in my ceramic objects. Through form and surface my goal is to communicate a sense of home and memory but also to evoke that feeling of wanderlust that has informed my own life and visual sensibilities." - Sunshine Cobb

• Learn more about Sunshine and see many examples of her work at http://www.sunshinecobb.com/

• See short videos of Sunshine’s work and techniques at https://www.youtube.com/watch?v=pB2jiJaVfxM https://www.youtube.com/watch?v=LxV29P3wKO8 or https://www.youtube.com/watch?v=GAs9ip-1Khg

Steven Young Lee

A contemporary artist working in ceramics and mixed media, Steven currently works and lives in Helena Montana where he has been the Resident Artist Director of the Archie Bray Foundation since 2006.

Steven received his MFA in Ceramics from the New York State College of Ceramics at Alfred University in 2004 and has lectured and taught extensively in North America and Asia since then. Steven lived and worked in China while on a cultural and educational exchange and locally has been a visiting professor at Emily Carr Institute of Art and Design in Vancouver, B.C. In March 2013 Steven lectured and participated on a panel, “Americans in the Porcelain City,” at the Metropolitan Museum of Art in New York. Also in 2013, he was invited to participate in “New Blue and White,” an exhibition at the Museum of Fine Arts in Boston that featured contemporary artists working in the blue-and-white tradition of ceramic production. Steven has exhibited work widely across the United States including mounting six solo exhibitions. His work has been collected by several museums including the Renwick Gallery at the Smithsonian Museum and appears in many private collections. Steven has juried or curated numerous exhibitions throughout the country and each year since 2007 Steven has juried the Archie Bray residency program.

"My current work examines the process of recognition-how individuals draw realities based on experiences and environment. Through functional pottery and sculpture, I challenge pre-conceptions of style, form, symbolism, superstitions and identity." – Steven Young Lee

• Learn more about Steven and see many examples of his work at http://stevenyounglee.com/

• Listen to an interview with Steven in Episode 245 of The Potters Cast http://thepotterscast.com/245

• Hear Steven talk about his work and influences at https://www.youtube.com/watch?v=Ex3ZexQfOPU

Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com

• All participants must be pre-registered.

• Registration is now open. Early Bird Registration is $125 for Adults or $110 for Seniors and Post-Secondary Students (plus GST) until January 15th, after that date Registration will be $150 for Adults or $131.25 for Seniors (plus GST).

• The Senior & Student Discount is only available through phone, in-person and mail-in registration, on-line registration includes only the pricing option for regular Adult registration.

•  All Fees include lunch.

• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.

• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Newsletter #4: Sunshine Cobb & Steven Young Lee.pdf (click to download this article) 

R:evolution – tradition – technology

The 7th Triennial Canadian Clay Symposium

Saturday, March 18th, 2017 - Shadbolt Centre for the Arts, Burnaby, BC

REGISTER BEFORE JANUARY 15th!

How timely. A Symposium dedicated to a topic we all ponder these days. The Why’s, the How’s and the If’s we consider when thinking about the role technology may play in our ceramics practices and studios. Where do you stand? Are you informed? Join us to explore and contrast the differences between traditional and technological approaches to working with clay. Come on… you know you want to!

R:evolution – tradition – technology, is a one day ceramics symposium for ceramic arts students and professionals that brings together ten nationally and internationally recognized artists to share and explore the ways contemporary ceramic artists interact with and employ new digital technologies. Presenters will discuss and demonstrate how they use technology as a tool for making work, in their artistic enquiry, or as a means to connect with peers and their market. Presentations will cover theoretical topics as well as practical techniques in areas such as sculpture, hand-building, wheel-throwing, glaze and firing technology and clay bodies, offering an opportunity to investigate the relevance and role of traditional methods in contemporary society.

This newsletter will continue to provide information about each of the ten Symposium presenters as well as other Symposium materials. Check the website for listings of gallery exhibits and workshop opportunities related to the Symposium. http://www.canadianclaysymposium.com

Jason Walker is currently a Bellingham based studio artist currently working in Hawaii. Jason is well respected as an artist, teacher and presenter. He has taught and lectured extensively at locations including Emily Carr University, the Archie Bray Foundation, the Smithsonian Institution, the Carnegie Museum of Art in Pittsburgh, the Haystack Mountain and Penland Schools for the Crafts as well as in Jingdezhen, China and Kecskemet, Hungary. Jason’s finely detailed and crafted work is included in many collections around North America.

“The culture I live in does not emphasize our physical connection and dependence on nature. The current ideology is reliant upon technology, and it promotes disembodied activity such as television [and] computers… The gap between man-made and natural is ever increasing. Light bulbs, plugs, power-lines and pipes that grow from the earth are common images found in my work, juxtaposed with birds, insects, and organic matter such as leaves and trees. Similar to the thinking of the Hudson River School of painting, I attempt to portray nature’s vastness and human-kind as a small proponent of it. Yet I draw the small things of nature large and the huge creations of man small.” – Jason Walker

Learn more about Jason and see many examples of his work at http://jasonwalkerceramics.com/

Ruthanne Tudball was born and grew up in Southern California where the surrounding landscape later provided inspiration for her pots and surfaces. Moving to England in 1968, Ruthanne’s early throwing skills were mostly self-taught before completing post-graduate study at Goldsmiths’ College, London. Ruthanne has been a full time potter now since 1989, becoming an internationally renowned potter specializing in salt and soda glazed ceramics. Ruthanne has given workshops worldwide, recently in India, Australia, and South Africa, and has exhibited across the United Kingdom, Europe, USA, and Japan. Her 1995 book “Soda Glazing” is a favourite reference for atmospheric firing and her work is included in museum collections in Oxford, Shanghai, and Taipei.

 “My inspiration comes mainly from the natural world around me and the energy in the evolving landscape celebrating the rhythms and creative forces of the earth and the human body. Work which concerns itself with the highlighted areas and shadows, shiny and matt surfaces and textural qualities punctuated by the play of fire and vapour is what I endeavour to achieve. I see my work as a potter as an active participation in a way of life that is celebrating the beauty of the world around us and the intimacy of human relationships, enjoyment, caring and warmth.” – Ruthanne Tudball

• Visit Ruthanne’s website at www.ruthannetudball.com
• Watch Ruthanne in action at https://www.youtube.com/watch?v=P2F1o9keLxw
• Or at https://www.youtube.com/watch?v=1u7EJS_Z3oc
• Find her book at https://www.amazon.com/Glazing-Ceramics-Handbooks-Ruthanne-Tudball/dp/0812215710

Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com

• All participants must be pre-registered.

• Registration is now open. Early Bird Registration is $125 for Adults or $110 for Seniors and Post-Secondary Students (plus GST) until January 15th, after that date Registration will be $150 for Adults or $131.25 for Seniors (plus GST).

• The Senior & Student Discount is only available through phone, in-person and mail-in registration, on-line registration includes only the pricing option for regular Adult registration.

•  All Fees include lunch.

• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.

• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Newsletter #3: Jason Walker & Ruthanne Tudball.pdf (click to download this article)

R:evolution – tradition – technology

The 7th Triennial Canadian Clay Symposium

Saturday, March 18th, 2017 - Shadbolt Centre for the Arts, Burnaby, BC

We are regularly faced with technological advances in our day to day life, but what about in our studios? Are you finding new and exciting ways to use modern digital technologies in the creation or marketing of your work… or finding ways to continue to explore your making more traditionally? The 7th Canadian Clay Symposium offers you an opportunity to dip your toes into the technological pool to explore fresh creative opportunities.

R:evolution – tradition – technology, a one day ceramics symposium for ceramic arts students and professionals, brings together ten nationally and internationally recognized artists to share and explore the ways contemporary ceramic artists interact with and employ new digital technologies. Presenters will discuss and demonstrate how they use technology as a tool for making work, in their artistic enquiry, or as a means to connect with peers and their market. Presentations will cover theoretical topics as well as practical techniques in areas such as sculpture, hand-building, wheel-throwing, glaze and firing technology and clay bodies, offering an opportunity to investigate the relevance and role of traditional methods in contemporary society.

Continue to watch this newsletter for information about each of the ten Symposium presenters as well as reports about other events and workshops that will run in conjunction with the Symposium.

Katrina Chaytor has been a faculty member at the Alberta College of Art and Design since 2001. Alongside her teaching profession, Katrina maintains an active studio practice and national and international exhibition schedule. Katrina is a popular presenter who has conducted workshops and/or enjoyed residency and research opportunities in Mexico, Greece, Crete, the United States, Italy, France and England. Katrina is grateful to have her work recognized through a number of awards including the Alberta Craft Council Award of Honour in 2010.

"Decoration is integral to my research and pottery practice in its capacity to be both performative - delighting the eye, and informative - as a cultural carrier of meaning. In my current work, I “mine” our digital culture, embedding computer icons and symbols into decorative compositions on my ceramic works; synthesizing the digital with a decorative intent. Computer icons are signs of the technological environment of our 21st century society that permeates both the personal and public domains of our lives, as we navigate and communicate in this digital terrain of hashtags, @’s, cursors and clouds. Beauty and “delighting the eye”… is achieved when the icons are repeated, layered, patterned, overlapped and imbued with coloured glazes on the surfaces of my pottery.”

Learn more about Katrina and her work at www.katrinachaytor.com

James C. Watkins is a ceramic artist who has been working professionally with clay for over 30 years.  His work is included in the White House Collection of American Crafts, and the Shigaraki Institute of Ceramic Studies in Shigaraki, Japan. James teaches Architectural Ceramics and Architectural Drawing in the College of Architecture at Texas Tech University where he received the President’s Excellence in Teaching Award. Mr. Watkins is also a Paul Whitfield Horn Professor, the highest honor that Texas Tech University may bestow on members of its faculty in recognition of national and international distinction for outstanding research or other creative scholarly achievements.  James has co-authored two books, “Alternative Kilns & Firing Techniques” and “Architectural Delineation, Presentation Techniques and Projects”.  His work is also the subject of a book entitled “A Meditation of Fire the Art of James C. Watkins” by Kippra D. Hopper. 

• James is known for his large scale double-walled ceramic vessels and laser cut porcelain substrate tiles. He is recognized for his textured surfaces, created by using alternative firing techniques, as well as his colourful lustered surfaces created through multi-firings and fuming.

• Learn more about James and his work at http://www.jcwclayworks.com

• See an interview with James in his studio at https://www.youtube.com/watch?v=TNfKFJTyQO8

• See an article on James’ work with porcelain substrate at http://www.ceramicartcart.com/PCS_Laser_Scribing.html

• Special Shadbolt Workshop with James, “Alternate Raku Techniques” is on Thursday, March 16th, 2017 (Barcode 418424 to register)

• Artist’s Talk at the Burnaby Art Gallery, James Watkins, 2:00 – 4:00 pm, Sunday, March 19th in the Fireside Room (No Fee, Barcode 418542 to register)

Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com

• All participants must be pre-registered.

• Registration is now open. Early Bird Registration is $125 for Adults or $110 for Seniors and Post-Secondary Students (plus GST) until January 15th, after that date Registration will be $150 for Adults or $131.25 for Seniors (plus GST).

• The Senior & Student Discount is only available through phone, in-person and mail-in registration, on-line registration includes only the pricing option for regular Adult registration.

•  All Fees include lunch.

• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.

• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Newsletter #2: Katrina Chaytor & James Watkins.pdf (click to download this article)

R:evolution – tradition – technology

The 7th Triennial Canadian Clay Symposium

 Saturday, March 18th, 2017 - Shadbolt Centre for the Arts, Burnaby, BC

Where do you sit on the technological continuum in your ceramic practice? Are you forging ahead, finding new and exciting ways to use modern digital technologies in the creation or marketing of your work… or hunkering down and finding ways to continue to explore your making in traditional ways?

R:evolution – tradition – technology is a one day ceramics symposium exploring the ways contemporary ceramic artists interact with and employ new digital technologies; as a tool for making work, in their artistic enquiry, or as a means to connect with peers and their market. Attendees will also have the opportunity to investigate the relevance and role of traditional methods in contemporary society.

The Canadian Clay Symposium will feature ten national and international artists who have been invited to share their expertise with ceramic arts students and professionals. Through numerous simultaneous presentations of images, lectures, demonstrations, critiques, panel discussions and a topical keynote address, the topics of presentation cover theoretical topics, as well as practical techniques in areas such as sculpture, hand-building, wheel-throwing, glaze and firing technology and clay bodies.

Over the next months we will share through this newsletter some information about each of the ten Symposium presenters as well as report about other events and workshops that will run in conjunction with the Symposium.

Currently Aaron Nelson is the Associate Director at Medalta, a museum, residency, research and education centre in Medicine Hat Alberta. In addition to his work as an arts administrator, consultant and technical educator, Aaron also maintains an active studio practice. Currently Aaron’s studio research focuses on the intersection of digital technology and traditional ceramic practice. He has lectured on this topic throughout Canada and his research has been supported by the Canada Council for the Arts, The Alberta Foundation of the Arts, and the National Research Council.

In his “Connectivity” project, Aaron’s handmade traditional tea cups, platters, vases and porcelain chandeliers are connected, sometimes by way of their decorative gold luster, with electrical and electronic circuitry, telephones, iPods, generators, light bulbs and audio speakers. The gilded decoration works as a simple circuit board – the surfaces of the ceramics become energized with flowing electrons as they transmit electrical current and data. Visitors are invited to ‘turn on’ and interact with the pieces physically or through their electronic devices.

Learn more about Aaron and his work at these links:

•  www.aaronnelson.ca

• “The Big Idea” video http://www.aaronnelson.ca/video

• Colour changing chandelier video link:  https://www.youtube.com/watch?v=dl9eHBEG-1M

Gwendolyn Yoppolo uses words, ceramic objects, and food to stretch boundaries and transform perception.  She creates sensuous kitchen- and table-wares that use the physical experience of hunger and satiation to allude to larger issues of human desire and relationship.  Her visionary designs challenge us to rethink the ways we nourish ourselves and others within contemporary food culture. “The pieces I make are questions, and they remain open-ended until fulfilled through use.”

Gwendolyn earned an MFA in Ceramics from Penn State University, has been a resident artist at the Penland School of Crafts, the Anderson Ranch Arts Center, and the Archie Bray Foundation.  Gwendolyn has taught at Ohio University, The Ohio State University, and Juniata College, as well as at art centers such as Arrowmont School of Crafts and Anderson Ranch Arts Center. A passionate educator and thinker as well as a maker, her writing can be found in Studio Potter, Pottery Making Illustrated, and Passion and Pedagogy. 

Learn more about Gwendolyn and her work at www.gwendolynyoppolo.com

Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com

•  All participants must be pre-registered.

• Registration is now open. Early Bird Registration is $125 for Adults or $110 for Seniors (plus GST) until January 15th, after that date Registration will be $150 for Adults or $131.25 for Seniors (plus GST).

• Seniors Discount is only available through phone, in-person and mail-in registration, on-line registration includes only the pricing option for regular Adult registration.

• All Fees include lunch.

• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.

• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Newsletter #1: Aaron Nelson & Gwendolyn Yoppolo. pdf  (click to download this article)